Weird Times 7: Labour and the Economy

Weird Times 7: Labour and the Economy

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The J.P Morgan Bank at 23 Wall Street, New York, built in 1914.
This is the sixth post in a series reflecting on the world of the 1920s as a background to early issues of Weird Tales. Imagine that you’re an American in a big city in 1923, and you’re taking a walk to the newsstand to buy the first issue of a new pulp fiction magazine. What sort of things might you see? What do those things suggest about ways people think? Or about the stories they tell?

Perhaps you’ll see a bank. Bank architecture in the 1920s typically follows traditions going back to the 18th century, in terms of what the architecture is supposed to convey and how. Neo-classical buildings speak of power and security. You can leave your money in one of these temple-like structures, and feel safe. The bank will not disappear, it will not collapse, it will not fall before the bombs of a robber or a revolutionary. That matters; in an age before the Federal Deposit Insurance Corporation the collapse of a bank can wipe out a depositor’s savings. And certainly this is an age that has recently seen many panics and controversies revolving around money and the economy; therefore often also revolving around politics, and around labour.

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Remembering Children of the Dragon, by Frank S. Robinson

Remembering Children of the Dragon, by Frank S. Robinson

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Children of the Dragon by Frank Robinson (Avon Books, January 1978). Cover by Sanjulian

The fact that people are not ruled by any god frees them to rule themselves. The fact that fate is blind frees people to take their fate into their own hands. The fact that the race has no purpose frees its individual members to pursue their own purposes. And so, the fact that bare human life is without intrinsic value does not mean human endeavor is pointless. Just as a worthless chunk of stone can be sculpted into a precious work of art, so too can a raw, common life become great by what its owner makes of it. And that endeavor is the key to life — with no god, no other value to existence — a man’s own endeavor is everything.

— from Children of the Dragon, by Frank Robinson

There are no dragons in this novel, as I first thought when I bought Children of the Dragon back in 1978. There are no wizards or witches, no magic, no strange beasts or monsters. This is alternate-world fiction, without any of the usual fantasy tropes. Probably the first or one of the first novels that later would be labeled Grimdark, for this certainly is a grim and dark novel.

Sadly, Robinson wrote only this one “fantasy” novel. He wrote no sequels, no other fantasy. The cover reads “Frank Robinson,” but inside the book his name is Frank S. Robinson, and that is the name under which the book is copyrighted. He also wrote a few other fiction and non-fiction books under that name, but he was not prolific. (His agent was Virginia Kidd, a high-profile agent in her day, to whom he dedicated this novel. She also represented science fiction writer Avram Davidson.)

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Forgotten Authors: Howard Schoenfeld

Forgotten Authors: Howard Schoenfeld

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Howard Schoenfeld

Howard Schoenfeld was born on January 2, 1915 in Hot Springs, Arkansas. He attended the University of Syracuse. For Christmas in 1933, he visited Manhattan for the first time and a year later moved to Greenwich Village, where he got a job an editor for See magazine, a photo magazine and as deputy editor-in-chief for Uncensored. He also worked as a public relations officer for the Workers’ Defense League.

Schoenfeld refused to register for the draft in 1940, stating that he was a pacifist and that peacetime conscription was unlawful. He wound up spending 11 months in prison before being paroled to serve an additional seven months at a Quaker work camp for conscientious objectors. Schoenfeld wrote about his experiences in “The Danbury Story,” and went on to write a political column for The Conscientious Objector.

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Get Thee to a Convention (If You Can)

Get Thee to a Convention (If You Can)

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A close up image of a mechanical typewriter.
Image by Patrik Houštecký from Pixabay

Good afterevenmorn, Readers!

There is nothing to rant about this week. I have exhausted my disbelief and incredulity on the four issues I noticed last time. I have also not been on social media all that much since then. I’m gearing up for a SFF convention this weekend, and I am very far behind on that front, so I’m a little stressed.

I am, however, extremely grateful that conventions exists. They can be terribly scary and extremely stressful, but they’re also a really good time. At least, Can*Con is. If you’re trying to break into the writing world, finding conventions that focus on what you’re writing is a really, really good idea.

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Nero Wolfe’s Brownstone – 3 Good Reasons: Murder is No Joke

Nero Wolfe’s Brownstone – 3 Good Reasons: Murder is No Joke

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I haven’t written about Nero Wolfe in a year and-a-half? Flummery! Most NOT satisfactory. So…

Welcome to another installment of 3 Good Reasons. With a goal of eventually tackling every tale of the Corpus, I’ll give three reasons why the particular story at hand is the best Nero Wolfe of them all. Since I’m writing over seventy ‘Best Story’ essays, the point isn’t actually to pick one – just to point out some of what is good in every adventure featuring Wolfe and Archie. And I’ll toss in one reason it’s not the best story. Now – These essays will contain SPOILERS. You have been warned!

The Story

Today’s story is “Murder is No Joke” from And Four To Go. It’s the fourth and final story, and a bit of a ‘debutante at the wrong ball.’ Each of the first three has a holiday theme.

Flora Gallant is worried about the influence which the mysterious Bianca Voss has over her brother Alec; an internationally acclaimed fashion designer. A call to Bianca, from Wolfe’s office, goes awry when Voss is apparently murdered while on the other end of the line. Inspector Cramer finds it awfully convenient, and Wolfe sets out to identify the miscreant.

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Peter Pan by JM Barrie

Peter Pan by JM Barrie

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Hitherto he had thought it was some fiend fighting him, but darker suspicions assailed him now.
‘Pan, who and what art thou?’ he cried huskily.
‘I’m youth, I’m joy,’ Peter answered at a venture, ‘I’m a little bird that has broken out of the egg.’
This, of course, was nonsense; but it was proof to the unhappy Hook that Peter did not know in the least who or what he was, which is the very pinnacle of good form.
‘To ‘t again,’ he cried despairingly.

from CHAPTER XV ‘HOOK OR ME THIS TIME’

Leaving work yesterday, a friend expressed surprise when he saw my copy of JM Barrie’s 1911 novel, Peter Pan, in my hand. “You’re reading Peter Pan, the kids’ book?” he asked. To which I answered, “Yes. But it’s not a kids’ book, because it’s about a sociopathic twelve-year-old.” An exaggeration, perhaps, but not much of one.

I think most people, if they think of Peter Pan at all, it’s either because of the 1953 Disney movie or the long-running stage productions with first Sandy Duncan and later Cathy Rigby. For them he’s merely the boy who never grows up and spends his time fighting the Captain Hook and his crew of blackguards. Now, those are important elements of the book, but they barely hint at the depths contained between its covers. It is a much weirder, darker book than the Disney version.

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Forgotten Authors: Hal K. Wells

Forgotten Authors: Hal K. Wells

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Hal K.Wells

Harold  Kerton Wells, who wrote as Hal K. Wells, was born on September 2, 1899 in Little Hocking, Ohio and grew up there and in the nearby town of Belpre, both along the Ohio River border with West Virginia.

He enlisted in the Ohio National Guard of May 18, 1917 and served in the infantry and field artillery during World War I, eventually being discharged on July 27, 1918 with a certificate of disability. He returned to Ohio and settled in Athens, about 35 miles away from where he grew up, and took a job working as a clerk for a dry goods store.

By 1930, he had left Ohio to move to Los Angeles and was publishing articles in Motion Picture Magazine, beginning in 1927. He also wrote the film A Moony Mariner, which was made in 1927 starring Billy Dooley, Vera Steadman, and Billy Engle. The film is the story of a sailor who is sent to the moon, but instead his rocket lands in a nearby Turkish bath, which he takes to be the moon.

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Dark Muse News: Heart of Vengeance & Other Tales of Azatlán by Gregory Mele

Dark Muse News: Heart of Vengeance & Other Tales of Azatlán by Gregory Mele

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Heart of Vengeance & Other Tales of Azatlán by Gregory Mele
(Obsidian & Bronze Ltd, August 2026, 280 pages). Cover Art by Mark Smylie.

Mele’s Meso-American Mysteries, Melee & Mayhem Awaits

Gregory Mele brings swordplay, sorcery, and the dark gods of a lost Meso-American world vividly to life in his Heart of Vengeance & Other Tales of Azatlán (Obsidian & Bronze Ltd.); it is a thrilling collection of occult mysteries, brutal battles, and weird adventures where the dead rarely stay dead. Dark Muse News jumped on it when it became public in August 2026 (available in several places; check out the author’s website).

It has 14 stories, 4 original and 10 published previously in various magazines.  Their connection? All share characters, deities, and the land of Tehanuwak (map below).

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From Robert E. Howard to Ray Bradbury: The Literary Influence of The Bible and The Odyssey

From Robert E. Howard to Ray Bradbury: The Literary Influence of The Bible and The Odyssey

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The Odyssey by Homer, translated by Robert Fitzgerald (Vintage Classics, 1990)

College lit classes introduced me to two works that had a profound influence on my own development as a writer.

The first was the King James version of The Bible. My family was Catholic and I’d read the Catholic Bible in my teen years. We didn’t read the whole Bible for my college class but read samples from King James, which is considered — by Catholics — to be a Protestant Bible. (It doesn’t include books that are part of the Catholic Bible, such as Tobit, Judith, Wisdom, Sirach, Baruch, 1 & 2 Maccabees, and portions of Esther and Daniel.)

My college class did not read The Bible for religious reasons. We read it as literature, and the King James version is magnificent literature. I wasn’t even religious anymore myself but I loved the language.

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Richard Stark’s Parker, Part 9: The Score

Richard Stark’s Parker, Part 9: The Score

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The Score by Richard Stark (Pocket Books, 1964), reprinted as Killtown by Berkley Books in 1973

What is it?

Volume 5 of Richard Stark’s Parker series of crime novels. This volume arguably features the greatest single heist Parker ever gets involved with. He and an unusually large team of accomplices robs an entire town, all in one night.

It’s also the first time in the series s a heist is not just a side story but the main point of the entire book, from the planning and the execution to the complication and the aftermath. We see a bit of that with the armored car robbery in The Man with the Getaway Face, but that’s the plot of only the first half of that book, and it’s nothing quite like the scale on display here.

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